Employment Tag

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Film festivals chain table launches two surveys

Photo: Alex Litvin

In recent years, two fair pay practice tools have been created within fairPACCT by the Film Festivals Chain Table for working people. A Job Book Reference Functions Film Festivals incl. tables with salaries and zzp start rates. And a Standard Basic Regulation Secondary Employment Conditions.

Organization better in view

In relation to the position of the workers, the chain table now also wants to get a better picture of the situation of the organizations through further research. The start of the chain table in 2023 was preceded by two preliminary studies by the Berenschot agency. These concerned a collective bargaining benchmark and insight into the employment conditions policy at then 7 (now 11) film festivals that were subsidized for several years by the government. Furthermore, research was conducted by the agencies PPMC/HTH/SiRM in 2023 on the fair pay surcharges at all types of multi-year subsidized festivals, 93 in reference year 2022. However, there are an estimated 141 film festivals – 130 of whom are without a multi-year government subsidy – that are important for the accessible presentation of film/av anywhere in our country.

Explanation of two types of surveys.
The chain table considers two types of surveys relevant at this time. The agencies PPMC/HTH want to provide these. By way of explanation, the following applies.
1. Field research among all estimated 141 film festivals
The field research has two phases: phase 1 with 12 qualitative interviews and phase 2 with a quantitative review of the findings among all festivals via an online survey.
The field research is being commissioned by Platform ACCT/fairPACCT.
2. Fair pay incremental cost survey among 11 multi-year subsidized film festivals
The chain table wants this survey to answer the following question. What are the additional costs of fair pay for the 11 multi-year government-funded film festivals when the new practice instruments are fully implemented?
The specific incremental cost study is related to more general OCW research.

Field research started with in-depth interviews
Phase 1 of the broad field research has now started with 12 in-depth interviews with the main target group: the film festivals that do not receive government subsidies for several years. It concerns their substantive and financial situation including their method of financing. It concerns the current state of affairs regarding working conditions. And the possibility of applying the fair pay instruments of the chain table for employees and self-employed workers respectively. It also examines whether and what the difference is between film festivals that are a separate organization and film festivals linked to a film theater. Phase 2 of the field research includes a survey of all film festivals based on the interview findings. Based on this, the position of the field will be clarified and what policies are needed to ensure variety of content and regional coverage including fair pay at the film festivals.

Want to share or know relevant information now? Please email the principal investigator at PPMC office: richard.geukema@ppmc.nl

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Survey of venues and festivals jazz and world launched

Photo: Flickr / Publication: 1/04/26

In recent years, within fairPACCT, the Jazz, World, Contemporary Chain Table has mapped, among other things, the career stages and associated fair pay rates for musicians.

Based on this, tables and a calculation tool were created, which help to arrive at a transparent and substantiated fee per performance.

Perspective of presenting organizations

However, it is necessary to put the perspective of the presenting organizations alongside that of the creators so that a complete picture of supply and demand emerges. Therefore, a survey of venues and festivals jazz and world with or without their own venue or grounds is now underway. Including the 45 or so members of the Vereniging Nederlandse Jazzpodia en Jazzfestivals (VNJJ). By comparison. The theaters and concert halls show data each year in a Theater Analysis System (TAS). Pop venues and festivals present an annual Pop Stage Analysis System (PAS). Now a Jazz Analysis System (JAS) is being added.

Finding answers to relevant questions

The study is about finding answers to a number of relevant questions. What is the practice like financially and organizationally? What types of activities are presented for what genres and audience groups plus with what capacity and staffing? What does the cost structure look like and where does the revenue come from?

And above all, to what extent does it succeed in paying musicians fair pay, and what factors make that feasible or difficult?

FairPACCT and the Chain Table can use the results of the study to segment and benchmark. The fair pay gap can be better quantified and also the tables and calculation tool can be refined where necessary. Furthermore, the whole leads to a better substantiation of a policy advice to governments, funds and chain partners which interventions are needed. For example, additional resources, other subsidy schemes or agreements on a premium for fair pay.

If you have not yet been contacted and would still like to participate in the study or share other relevant information. Please email Bureau Knyfe’s principal investigator, Pieter Hunfeld: pieter@knyfe.org .


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Consultation fair pay rates writing commissions to authors

Photo: Shutterstock

Join the consultation

The Chain Table of Literary Organizations hereby presents its fourth fair pay proposal and invites comments from all stakeholders by Saturday, May 16, 2026. Please use the fill-in form. Feedback by the Chain Table based on the responses received will be done by July 1 at the latest.

The fourth fair pay proposal is based on the report by HTH Research. This proposal is accompanied by a calculation model to concretely calculate the fair pay rates per assignment. The documents were created on the basis of individual discussions with stakeholders and experts in the field and a survey of the literary organizations affiliated with the national network VLAM 21.

Draft fair pay Calculation Model Writing Assignments to Authors

Draft fair pay Rate Guidelines Writing Assignments to Authors

We welcome comments by May 16, 2026 using the consultation form below. The chain table will process all input and provide feedback no later than July 1.

Consultation form

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Archaeology chain table continues talks with Ministry of OCW

Chain Table Archaeology continues talks with Ministry of OCW.
On September 4, 2025, a letter was sent from the chain table to the Ministry of OCW about cooperation in the (legal) safeguarding of the fair pay job structure Archaeology. On February 26, 2026, a delegation went to meet with the Ministry and the National Cultural Heritage Agency.

This letter and conversation discussed the possibility of securing a single collective bargaining agreement for archaeology within the Heritage Act. The Ministry is hesitant about legislation, mainly because of the regulatory burden, and wants to explore other options for securing the agreement first. It is possible to have a collective agreement for archaeology that is declared generally binding. The ministry wants to play an informative role in this. In addition, the ministry has stated that it is and will continue to consult with other government agencies and other ministries about introducing fair pay in their contracts and tenders for archaeology.

According to the chain table, it is doubtful whether archaeologists at governments, (public) organizations and multidisciplinary businesses such as engineering firms can or want to be covered by a sector-specific collective bargaining agreement. The table is happy to receive further information.

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News release Film/AV Production Chain Table and Film Festivals Chain Table: Looking to 2026

Photo: Alex Litvin

In December, the Film Festivals Chain Table and the Film/AV Production Chain Table published the current fair pay toolkit for 2026. This year, participants of both chain tables continue to meet periodically for its annual maintenance.

The Film Festivals Chain Table is also working on additional tools, such as a guideline for (socially) safe and healthy work, and an umbrella document that will safeguard fair pay instruments.

The Chain Table Film/AV Production is also working in focus groups on a guideline for cancellation and a manual with recommendations about liability and insurance of materials. For screenwriters it is being investigated how the fair pay agreements can be translated into a practical tool for negotiating TV productions, with rates linked to minutes. We are also working on an umbrella document as a follow-up to the Letter of Intent Audiovisual Sector, in which the developed tools for film and AV productions will be secured, so that new parties can easily join.

To further support the application of fair pay tools in practice, the new website of Platform ACCT and fairPACCT will soon be launched. Following this, a composite working group with participants from both chain tables is working with fairPACCT to improve communication.

The agenda includes the development of a web-based tool linking all fair pay practice tools for film and AV production, a calculation tool for film festivals, an overview of frequently asked questions, personas and instructional videos on how to apply the tools.

Pilot independent counter for film and AV sector

From the outset, it is intended that the consultation between workers and work providers, and the use of the fair pay tools facilitated at the chain tables within Platform ACCT’s fairPACCT program, be structurally secured within the relevant sub-sectors.

At the start of the Film/AV Production Chain Table, it was already clear that this task is complex and involves the entire supply chain. Many different parties and interests are involved, collective agreements are lacking and the scope covers the entire film production, from head to tail.

Moreover, in order to make fair pay and fair practice the norm, the financial basis of film production must be strengthened. Because audiovisual production is financed per project, this requires commitment from all public and private parties involved in the value chain. In addition, in order to create a level playing field with other countries, broader access to financing is needed, for example through a tax shelter or tax credit. At the same time, further professionalization of the sector requires more knowledge sharing, cooperation and continuity.

Precisely this complexity means that structural assurance does not arise automatically. Without timely preparation, there is a risk that accumulated knowledge, agreements and instruments will be fragmented or inadequately applied. To carefully and realistically shape the transition to sectoral assurance, it is necessary to explore over a defined period of time how consultation, knowledge sharing and support can be sustainably organized.

With support from the Ministry of OCW, a pilot is therefore being conducted in the film and AV sector. This pilot examines how an independent structure can be set up to act as a central point of contact for workers, workers, chain partners and other stakeholders.

The pilot has a duration of about nine months and consists of two phases: an exploration phase focusing on organizational form, legal entity and governance, followed by a pilot phase testing the set-up in practice.

The pilot will be conducted under the banner of the Netherlands Film Festival (NFF). The NFF is responsible for project administration and financial management. Doreen Boonkamp, chair of the Chain Tables Film/AV Production and Film Festivals, is involved as quartermaster. For implementation, she is engaging a secretary, legal advice and communications support. In addition, the chain table working group on communication, implementation and safeguarding (or a delegation thereof) will also be actively involved.

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Current fair pay toolkit film and AV production ready for 2026

Photo: Shutterstock

FairPACCT’s Film/AV Production Chain Table has updated the fair pay practice instruments that have been in effect since 2025. The new versions are effective Jan. 1, 2026.

New tool added

New to the package is the Guide to Roles in Film and AV Production. This guide offers workers and clients a practical starting point for a clear job description. In outline, the tasks and activities of a large number of roles are described per department and categorized by level of difficulty, with each level linked to an appropriate zzp starting rate. The Guide is consistent with the Assignment Compass developed with the help of Bureau Berenschot and, for completeness, also includes the reference functions and derived functions described therein. Both the Guide and the current version of the Assignment Compass, in which some descriptions have been clarified, have been validated by Social Finance Matters.

Purpose and application

As of Jan. 1, 2025, the film and AV industry must work according to a collective bargaining agreement or – in the absence of one – a (related) fee guideline to comply with fair pay.

The fair pay practice instruments for film and AV production are intended for sector-wide application by market parties and other players in the sector. They support fair negotiations and careful contract formation between clients and contractors and contribute to transparency, a more level playing field and further professionalization of the sector.

The tools apply to audiovisual productions in the form of short films, feature films, documentaries, animated films, innovative media productions, and drama, documentary and animated series.

To ensure that contractors are not paid below the minimum lower limit for a contract, the most current versions of the fair pay practice tools should always be applied. This is not optional. The study “Additional costs of fair pay in the film and audiovisual sector by PPMC Economic Advice (April 10, 2025) shows that a major catch-up is needed to enable fair pay in the Dutch film and audiovisual sector. The cost of realizing fair pay rises on average to 40% for feature films and 67% for documentaries, representing about 23% of the total production costs.

Overview of current fair pay tools film and AV sector (as of 2026)

Assignment Compass film and AV production – Version 3.0 (December 2025)
With the Assignment Compass, you determine the level of gravity of the tasks and work of a specific assignment using level indicators, reference functions and derived functions. This level is indicated by the letters A through K. Each severity level is associated with an appropriate zzp starting rate. In version 3.0, in conjunction with the new Guide Roles in Film and AV Production, several descriptions of reference functions and derived functions have been textually improved.

Guide to Roles in Film and AV Production – Version 1.0 (December 2025)
The Guide complements the Assignment Compass and outlines the duties and activities of a large number of roles for each department. For completeness, reference functions and derived functions from the Assignment Compass are also included. Using the level indicators in the Assignment Compass, all roles were classified by severity level (A to K), with each severity level linked to an appropriate zzp starting rate.

Guideline zzp start rates film and AV production – December 2025
The tables contain the indexed zzp start rates per hour (excluding VAT). The rates are linked to the severity levels A through K from the Assignment Compass and apply as the lower limit for fair pay as of Jan. 1, 2026. The corresponding indexed gross salaries are also included for reference.

Timesheets zzp assignments film and AV production – version 2.0 (December 2025)
The Timesheets for 13 departments allow you to estimate, before you start an assignment, how much effective time you expect to spend on main work and on preparatory and completion work.

Guide for safe and healthy working conditions in the AV sector – Version 2.0 (December 2025)
The Guide provides principles for ensuring physical and psychosocial safety during development, pre-production, shooting and post-production. Version 2.0 is unchanged in content and updated in design, in line with the other practice tools of the Film/AV Production Chain Table.

AV Industry Terms of Reference – version 3.0 (December 2025)
The Framework of Terms contains clear and neutral definitions of terms that frequently recur in negotiations of (contract) agreements. Version 3.0 has been expanded with new terms and explanations.

Guide to the application of zzp starting rates for film and AV production – Version 2.0 (December 2025)
The manual provides a six-step explanation of how to arrive at a well-substantiated opening bid using the fair pay tools and how to properly prepare for the conversation with the client.

The Chain Table Film/AV production

Since September 2022, the Film/AV Production Chain Table has been working within the fairPACCT program of Platform ACCT to develop fair pay practice tools as part of the further elaboration of the Fair Practice Code and the Audiovisual Sector Letter of Intent, led by independent chair Doreen Boonekamp.

Participants in the Film/AV Production Chain Table: Nederlandse Audiovisuele Producenten Alliantie (NAPA), Nederlandse Content Producenten (NCP), Nederlandse Publieke Omroep (NPO), College van Omroepen (CoO), Kunstenbond, FNV Media & Cultuur, Dutch Production Association (DPA), Dutch Directors Guild (DDG), Auteursbond, Netwerk Scenarioschrijvers, Dutch Screenwriters & Directors (DS&D), ACT actors’ interests (ACT), the Dutch Agents Association (NAA), Dutch Association of Cinema-Editors (NCE), Netherlands Society of Cinematographers (NSC), Dutch Film Sound Association (DFSA), Art, Costume and Make-up & Hair professionals (ACM), FijnWeekend and Post supervisors Netwerk Nederland (PNN).

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Fair pay chain table proposals with function house and safety note for archaeology practice: respond now!

Photo: Rawpixel / Publication: 19/08/24

The Chain Table on Archaeology is presenting two new fair pay proposals at these and is asking for responses from all involved: preferably by Tuesday, Oct. 1. Please use the form below to do so. The feedback by fairPACCT and the chain table based on the responses received will be done before the November 1 deadline.

The first proposal concerns a Job House for Archaeology, prepared together with the recognized job evaluation agency Leeuwendaal. The second proposal concerns a memorandum on Safety and Working Conditions in Archaeology.

Function house Archeology

A Labor Market Monitor was published from the Archaeology chain table in June 2023. This was made on the basis of a survey of employed people by Femke Tomas, lecturer/researcher from Saxion University of Applied Sciences. The chain table also presented a p roeve of a Job House provided with the current positions and salaries. This proof has come about on the basis of an inventory by Marbles consultancy and Saxion University of Applied Sciences among work providers and after a public consultation.

The recognized job evaluation agency Leeuwendaal was then engaged, which, in coordination with the chain table, has now produced a proposal for an official ‘Job House Archaeology. A suitable job house for employees in archaeology’. This contains 16 reference functions, with profiles, valuations and salary tables archaeology and gelet to the Collective Labor Agreement for Municipalities, the Museum Collective Labor Agreement and the Collective Labor Agreement for the Netherlands. Furthermore, together with the chain table, fairPACCT made a synonym list of other job titles that also occur and plotted these within the 16 reference functions.

For consultation:

Note Vsafety and Wworking conditions Archaeology

The Chain Table on Archaeology on December 1, 2023, after a public consultation
issued the “Standard Regulations on Secondary Terms of Employment for Archaeology. In it, three detailed notes were announced at the end. Two additional notes from the chain table have already been made available to the field in May 2024. These notes contain factual information, bottlenecks and suggestions for improvement.

  • Note 1. ‘ by Daniel Stiller, Esther Vriens and Henk Koster;
  • Note 2. ‘ by Rob Houkes.

The ‘Memorandum on Safety and Working Conditions in Archaeology’ is now available for consultation. This was drawn up by archaeologist Jesper de Raad in collaboration with the chain table and after consultation with an expert. This will show the state of safety and working conditions of archaeologists in the field. This memorandum is specifically about physical safety and working conditions in the archaeology sector. De even belangrijke mentale kant is geen onderdeel ervan: de ketentafel wil dat onderwerp ook nog oppakken. The present memorandum has 3 parts:

  1. laws and regulations;
  2. explanation safety and working conditions;
  3. questions and answers.

For consultation:

Note on Safety and Working Conditions in Archaeology’. .

To be noted:

‘Standard regulation on secondary employment conditions for archaeology’. Archaeology chain table. November 2023.

(The Memorandum on Safety and Working Conditions in Archaeology concerns a supplement to the already adopted Standard Regulations on Secondary Conditions of Employment in Archaeology).

___________________________________________________________________________

Fill-in form

Download the entry form below. You can e-mail it back to fairpacct@platformacct.nl preferably before Oct. 1.

Fill-in form

___________________________________________________________________________

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Consultation practice tools Film/AV production: respond now to ‘Handbook application zzp start rates’ & ‘Timesheets zzp assignments’

Photo: Wikimedia / Publication: 11/11/24

The chain table Film/AV cultural productions cast & crew cs (hereafter chain table Film/AV production) of fairPACCT hereby presents the proposal for the ‘Handbook on application of zzp start rates film and AV production’ (Handbook) and the accompanying ‘Timesheets zzp assignments film and AV production’ (Timesheets). These were developed with the help of Social Finance Matters and are intended for the practical application of the 4 previously published fair pay instruments by clients and contractors involved in the production of short films, feature films, documentaries, animation films, innovative media productions and series. Responding is possible until December 3, 2024. Please use the entry form to do so.

a camera with a screen on it

Fair pay zzp rates for five roles of professionals in culture marketing and communications ready

Photo: Bas de Brouwer (from Whitepaper chain table) / Publication: 15/11/24

From July 22 to Sept. 19, the fair pay proposals from the Professionals in Culture Marketing and Communications chain table were in public consultation. People were asked to review, test and provide feedback on the fair pay practice tool proposals. The chain table has worked with this feedback. Based on it, it now presents final fair pay practice tools with the goal of concrete application.

It concerns a so-called MarCom Framework, created by Bureau STYR in collaboration with the chain table. It distinguishes five roles of Culture MarCom professionals who can function within certain valuation groups and at certain levels. Linked to these levels are zzp rates, derived from the General Market Netherlands and provided with a ‘markdown’ of minus 15% for Cultural Netherlands. These rates should be paid by working professionals to prevent further outflow of these valuable professionals from the cultural and creative sector.

Role matrix

STYR’s Role Matrix includes the five distinct roles within Culture MarCom. These are: advisor; generalist; manager & coordinator; project leader; specialist. Within the STYR model for weighting/rating roles, problem-solving ability is central. In this model, there are six rating groups from practical to abstract and twenty corresponding levels. The roles in Culture MarCom are divided into the valuation groups II, III and IV and assigned levels 5 through 11.

Role matrix. STYR. November 2024.

5 roles

An overview of each of the five roles has been prepared. This briefly states the nature of the assignment appropriate to a particular role. There is an explanation of the STYR rating group(s) to which the role belongs. For each level within a group, the required problem-solving ability is described and the so-called framework of the assignment that may belong to such a level. A (synonym) list with names of assignments and roles has been added, because in Culture MarCom many types of topical names occur. Finally, there is a cultural assignment description for each level as an example.

Role Advice. STYR. November 2024.

Role Generalist. STYR. November 2024.

Role Management and Coordination. STYR. November 2024.

Role Project Manager.

Role Specialist. STYR. November 2024.

From wages to zzp rates

Based on the valuation of the five roles and their levels, STYR linked wages to them given the median of the General Market Netherlands, which is the salary including 8% vacation allowance and other fixed so-called emoluments/rewards. They also reasoned a zzp surcharge of 70.5% was determined. Furthermore, repeated research has shown that in the cultural collective agreements that are considered fair pay is generally paid 10% to 20% less than in the General Market Netherlands. In sub-sectors without a CBA, it is even worse. So in particular, individuals with general education and positions such as professionals in marketing and communications often flow out to other better-paying sectors. For completeness, STYR still showed a so-called cut-off with 15% lower rates for freelance MarCom professionals in the cultural and creative sector. Finally, this Agency compared its own levels with the job levels of MarCom professionals in four cultural collective bargaining agreements.

From wages to zzp rates. STYR. November 2024.

Manual MarCom Framework

There is a ‘Manual MarCom Framework. Fair pay for freelance MarCom professionals within the cultural sector.’ The Framework is intended for assignment providers and freelance MarCom professionals (contractors). It provides guidance for determining the weight of offered MarCom assignments in terms of problem-solving capacity and appropriate rates (fair pay). For clients it can be useful. They can go through three steps as part of the assignment: role with description, valuation group, level. In addition, the Framework gives contractors insight into their own problem-solving capabilities. This makes them better able to take on appropriate assignments at a fair(er) rate. Furthermore, the MarCom Framework can be used by contractors in their personal development.

Manual MarCom Framework. STYR. November 2024.

Previous fair pay practice tools from the chain table

The chain table Culture Marketing and Communication has already presented three fair pay practice tools on December 1, 2023 after an earlier public consultation:
1. A Manifesto on the value of culture marketers with the motto: ‘Without culture marketers no audience. Without audiences no culture.’
2. A Whitepaper with seven related practical examples.
3. A comparison of the remuneration for five types of MarCom positions in various cultural collective bargaining agreements with those in the Netherlands.

Furthermore, two specific underpinnings were previously created with the help of research firm Social Finance Matters:
1. A Reference Framework with job titles and scales in existing cultural and some related collective bargaining agreements/guidelines.
2. A study of project criteria for costs of marketing and communication by funds and governments.

a camera with a screen on it

Fair pay zzp rates for five roles of professionals in culture marketing and communications ready

Photo: Bas de Brouwer (from Whitepaper chain table) / Publication: 15/11/24

From July 22 to Sept. 19, the fair pay proposals from the Professionals in Culture Marketing and Communications chain table were in public consultation. People were asked to review, test and provide feedback on the fair pay practice tool proposals. The chain table has worked with this feedback. Based on it, it now presents final fair pay practice tools with the goal of concrete application.

It concerns a so-called MarCom Framework, created by Bureau STYR in collaboration with the chain table. It distinguishes five roles of Culture MarCom professionals who can function within certain valuation groups and at certain levels. Linked to these levels are zzp rates, derived from the General Market Netherlands and provided with a ‘markdown’ of minus 15% for Cultural Netherlands. These rates should be paid by working professionals to prevent further outflow of these valuable professionals from the cultural and creative sector.

Role matrix

STYR’s Role Matrix includes the five distinct roles within Culture MarCom. These are: advisor; generalist; manager & coordinator; project leader; specialist. Within the STYR model for weighting/rating roles, problem-solving ability is central. In this model, there are six rating groups from practical to abstract and twenty corresponding levels. The roles in Culture MarCom are divided into the valuation groups II, III and IV and assigned levels 5 through 11.

Role matrix. STYR. November 2024.

5 roles

An overview of each of the five roles has been prepared. This briefly states the nature of the assignment appropriate to a particular role. There is an explanation of the STYR rating group(s) to which the role belongs. For each level within a group, the required problem-solving ability is described and the so-called framework of the assignment that may belong to such a level. A (synonym) list with names of assignments and roles has been added, because in Culture MarCom many types of topical names occur. Finally, there is a cultural assignment description for each level as an example.

Role Advice. STYR. November 2024.

Role Generalist. STYR. November 2024.

Role Management and Coordination. STYR. November 2024.

Role Project Manager.

Role Specialist. STYR. November 2024.

From wages to zzp rates

Based on the valuation of the five roles and their levels, STYR linked wages to them given the median of the General Market Netherlands, which is the salary including 8% vacation allowance and other fixed so-called emoluments/rewards. They also reasoned a zzp surcharge of 70.5% was determined. Furthermore, repeated research has shown that in the cultural collective agreements that are considered fair pay is generally paid 10% to 20% less than in the General Market Netherlands. In sub-sectors without a CBA, it is even worse. So in particular, individuals with general education and positions such as professionals in marketing and communications often flow out to other better-paying sectors. For completeness, STYR still showed a so-called cut-off with 15% lower rates for freelance MarCom professionals in the cultural and creative sector. Finally, this Agency compared its own levels with the job levels of MarCom professionals in four cultural collective bargaining agreements.

From wages to zzp rates. STYR. November 2024.

Manual MarCom Framework

There is a ‘Manual MarCom Framework. Fair pay for freelance MarCom professionals within the cultural sector.’ The Framework is intended for assignment providers and freelance MarCom professionals (contractors). It provides guidance for determining the weight of offered MarCom assignments in terms of problem-solving capacity and appropriate rates (fair pay). For clients it can be useful. They can go through three steps as part of the assignment: role with description, valuation group, level. In addition, the Framework gives contractors insight into their own problem-solving capabilities. This makes them better able to take on appropriate assignments at a fair(er) rate. Furthermore, the MarCom Framework can be used by contractors in their personal development.

Manual MarCom Framework. STYR. November 2024.

Previous fair pay practice tools from the chain table

The chain table Culture Marketing and Communication has already presented three fair pay practice tools on December 1, 2023 after an earlier public consultation:
1. A Manifesto on the value of culture marketers with the motto: ‘Without culture marketers no audience. Without audiences no culture.’
2. A Whitepaper with seven related practical examples.
3. A comparison of the remuneration for five types of MarCom positions in various cultural collective bargaining agreements with those in the Netherlands.

Furthermore, two specific underpinnings were previously created with the help of research firm Social Finance Matters:
1. A Reference Framework with job titles and scales in existing cultural and some related collective bargaining agreements/guidelines.
2. A study of project criteria for costs of marketing and communication by funds and governments.